One Great Circle

Fraser Fifield with Chris Stout and Catriona McKay

Low whistle maestro Fraser Fifield continues his series of recordings in trio settings with One Great Circle, the tenth album in this versatile musician’s prolific career.
Special guests are the internationally acclaimed string duo, shetland fiddler Chris Stout and harpist Catriona McKay. The music is inspired by the Aberdeen-born storyteller,
Low whistle maestro Fraser Fifield continues his series of recordings in trio settings with One Great Circle, the tenth album in this versatile musician’s prolific career.
Special guests are the internationally acclaimed string duo, shetland fiddler Chris Stout and harpist Catriona McKay. The music is inspired by the Aberdeen-born storyteller, ballad singer, author, piper and member of a prominent traveller family, Stanley Robertson, whose supernatural accounts Fraser heard through the Tobar an Dualchais online resource while fulfilling the role of Traditional Artist in Residence for the Celtic and Scottish studies department of the University of Edinburgh.
The album title refers to Robertson's description of the process reincarnation, the music was recorded in Glasgow on 20th November 2023.
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SECRET PATH

Fraser Fifield

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SECRET PATH

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This is an album I've wanted to make for a wee while - loving the opportunity to concentrate on playing 'low D' whistle here, on Secret Path.

My relationship with the low whistle has taken quite a journey since early teenage years. Who could have guessed so much was possible on such a simple instrument...

Secret Path is the first of three

This is an album I've wanted to make for a wee while - loving the opportunity to concentrate on playing 'low D' whistle here, on Secret Path.

My relationship with the low whistle has taken quite a journey since early teenage years. Who could have guessed so much was possible on such a simple instrument...

Secret Path is the first of three recordings through which I hope to present the low whistle in a variety of fresh contexts. I hope you'll enjoy this music!

Fraser Fifield - low whistle, compositions | Paul Harrison - wurlitzer piano | Tom Bancroft - drums

Press Release, by Rob Adams:

The low whistle is a simple instrument that in the hands of Fraser Fifield can deliver infinite, deeply felt personal expression. Most often associated with Scottish and Irish traditional music, on The Secret Path the low whistle assumes the role of lead instrument voicing bold, fearlessly searching melodies.

Fifield is a virtuoso. Schooled in both the Highland bagpipe tradition and the soprano saxophone, he has developed a technique on the whistle that borrows from those and other instruments but is all his own voice. He is aided by the addition of one extra tone hole on the underside of the whistle that opens up possibilities for a greater musical range.

“I see the whistle as a blank canvas,” says Fifield. “It has its associations but to me it’s a universal instrument. I think all musicians ultimately want to play the music they would like to hear and it’s been my goal to be able to play music on the whistle that isn’t constrained by a diatonic structure.”

Over the past ten years Fifield has worked on achieving this aim, helped by his domestic situation. Living in a flat in Edinburgh for much of that time, he felt sure his neighbours would be unimpressed by the sound of the pipes or a saxophone intruding into their day or night. The low whistle, as well as requiring little physical work, unlike the pipes and saxophone, is an instrument that can be picked up at any time and played quietly so that ideas can be explored into unsociable hours if the muse strikes.

“It’s been a gradual process of experimentation and that continues,” says Fifield, whose determination to take the whistle into situations that no whistle player should really encounter has led to him working across the world. Indian, Eastern European, Spanish and South American music have all presented challenges that he has met successfully.

On The Secret Path he is joined by two musicians with a similarly adventurous approach. Paul Harrison on keyboards is most often associated with jazz but is equally at home in Brazilian and electronic music and drummer Tom Bancroft is also from the jazz world but with experience in African music and with the Grit Orchestra, which was formed to celebrate the work of Scottish folk-dance music pioneer Martyn Bennett.

“Paul and Tom are both fantastic musicians,” says Fifield. “I knew that they would respond and make the music come alive. I wrote arrangements that gave them enough detail without providing too much information so that there was space for the three of us to express ourselves.”

The title track is named after the 1930s book through which the British philosopher Paul Brunton introduced the Western world to the Indian guru Ramana Maharshi, a figure who has informed Fifield for a number of years. There is further reference to the East in Gita, which is the Sanskrit word for song.

“All the tracks were written in December 2022 with the exception of East of Leith, which had been forming in my mind for some time but finally came into shape as I was preparing the others,” says Fifield. “There are influences from throughout my musical career – I’ve long had a fascination for the kaval (a Bulgarian end-blown flute) for example – but essentially, I wanted to give a snapshot of where I am with the low whistle at the present time. Most of the tunes are concise and were recorded as live in two or three takes to keep them fresh.”

Made with support from Creative Scotland.

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    Secret Path

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    Urgent Polka

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    A Day Like Any Other

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    East of Leith

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Piobaireachd / Pipe Music

Fraser Fifield

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Piobaireachd / Pipe Music

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Piobaireachd / Pipe Music (Oct 21) features a collection of tracks recorded following Fifield’s deep re-examination, during lockdown, of what he calls “that ancient, slightly mysterious music associated with the Scottish bagpipe.”

"The entire album is a beautifully considered and masterfully performed listen" - Songlines

"Sit down by a fire late

Piobaireachd / Pipe Music (Oct 21) features a collection of tracks recorded following Fifield’s deep re-examination, during lockdown, of what he calls “that ancient, slightly mysterious music associated with the Scottish bagpipe.”

"The entire album is a beautifully considered and masterfully performed listen" - Songlines

"Sit down by a fire late at night with a few close friends who do not feel the need to speak, and stare into the flames, relax your thoughts, and experience 'Piobaireachd / Pipe Music' " (pipesdrums.com)

"startling reinvention as soprano saxophone, clarinet and whistle swoop and twine around magisterial bagpipe cadences" The Scotsman

"personal enough to satisfy the most questing soul" Living Tradition

This project was supported by Creative Scotland's Sustaining Creative Development Fund.

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    01 In Regards That Matter

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    02 Being In Time

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    03 Breizh-A Flame Of Wrath

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    04 Improvisation on Whistle

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    05 Lament for Red Hector of the Battles

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    08 The Piper's Premonition

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    09 The MacDougall's Gathering

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    10 Improvisation on Bagpipes

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    11 Praise of Longer Days

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Stereocanto

Fraser Fifield

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Stereocanto

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Jazzwise: "Fifield is an outstanding product of the Scottish jazz-folk scene who at one moment can blow a low whistle like Charlie Parker steaming his way through ‘Ko-Ko’ and at the next knock out an air on a sax like a Highland traditionalist. On this, his fourth album as leader, the in-demand multi-instrumentalist also shows himself a master

Jazzwise: "Fifield is an outstanding product of the Scottish jazz-folk scene who at one moment can blow a low whistle like Charlie Parker steaming his way through ‘Ko-Ko’ and at the next knock out an air on a sax like a Highland traditionalist. On this, his fourth album as leader, the in-demand multi-instrumentalist also shows himself a master programmer and beats adept."

Innovative original compositions, featuring low whistle, Highland pipes, soprano saxophone, Bulgarian kaval, highland hornpipe, practice chanter, keyboards and percussion by Fifield with Alyn Cosker (drums), Graeme Stephen (guitar) Mario Caribe (bass) and Vicky Fifield (strings).

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In Mumbai

Fraser Fifield

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In Mumbai

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Sabir Khan - sarangi, Suresh Lalwani - violin, viola, Navin Sharma - tabla, dholak. Fraser Fifield - whistle, pipes, sax, kaval.

Music composed by Fraser Fifield, except Ewe Wi Crooked Horn which is a traditional Scottish melody. 'Song Of Suresh' composed by Suresh Lalwani and Fraser Fifield.

Recorded at YRF studios, Mumbai, from 16-18 June, 2016,

Sabir Khan - sarangi, Suresh Lalwani - violin, viola, Navin Sharma - tabla, dholak. Fraser Fifield - whistle, pipes, sax, kaval.

Music composed by Fraser Fifield, except Ewe Wi Crooked Horn which is a traditional Scottish melody. 'Song Of Suresh' composed by Suresh Lalwani and Fraser Fifield.

Recorded at YRF studios, Mumbai, from 16-18 June, 2016, engineered by Shantanu Hudlikar. Mixed in Scotland by Mattie Foulds. Sincere thanks to the contributing musicians and engineers and Mujeeb Dardarkar, who played an invaluable role in organising this project, and to Creative Scotland.

Read the Songlines review, https://www.songlines.co.uk/review/in-mumbai

Fatea Magazine review: "Too often, inter-cultural collaborations can become a type of musical manifesto, trying to make a point about the similarities of different musical traditions. "In Mumbai" is never like this. It is a wonderful demonstration of the mutual respect and appreciation of four musicians for each other to make a unique sound that resonates long after the album has ended"

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    Ewe Wi The Crooked Horn

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    Song of Suresh

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    Sufi

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Esotero

Fraser Fifield

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Esotero

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"In his liner note, Fraser Fifield revels in the freedom he and guitarist Graeme Stephen feel from not having to categorise their music. That's easy for him to say. For those who are unfamiliar with Fifield, he's a piper from the Aberdeenshire tradition who has also mastered the low whistle and soprano saxophone, in a way that allows his playing

"In his liner note, Fraser Fifield revels in the freedom he and guitarist Graeme Stephen feel from not having to categorise their music. That's easy for him to say. For those who are unfamiliar with Fifield, he's a piper from the Aberdeenshire tradition who has also mastered the low whistle and soprano saxophone, in a way that allows his playing to flow from traditional-sounding airs into the realms of jazz and fairly free improvisation. In Graeme Stephen, he has the ideal partner and, over 16 years, they have forged an understanding that means wherever one goes the other will join him intuitively, be that into a moving lament or the kind of electric guitar and Border pipes ferment witnessed on Chase It Catch It that, if he were that sort of bloke, might see Fifield with his foot up on a monitor, posing like a heavy metal hero. At heart, Fifield is a melodist and his gifts as such are here in abundance - filed under adventure". The Herald.

Fraser Fifield, low whistles, border pipes, soprano sax Graeme Stephen, guitar

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    Secret Histories

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    Emigrant Eyes

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    Willie Murray's Reel and The Cockerel in the Creel

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Traces Of Thrace

Fraser Fifield

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Traces Of Thrace

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'Scotland meets Bulgaria' ~ "Played by musicians at the top of their game, the compositions sound natural, and almost organic, but closer listening reveals that they are tightly organised and highly sophisticated. A magnificent achievement." Songlines

Fraser Fifield, sax, low whistle, bagpipe, keyboard / Nedyalko Nedyalkov, kaval / Graeme Stephen,

'Scotland meets Bulgaria' ~ "Played by musicians at the top of their game, the compositions sound natural, and almost organic, but closer listening reveals that they are tightly organised and highly sophisticated. A magnificent achievement." Songlines

Fraser Fifield, sax, low whistle, bagpipe, keyboard / Nedyalko Nedyalkov, kaval / Graeme Stephen, guitar / David Robertson, percussion / Guy Nicolson, percussion / Georgi Petrov, gadulka

Recorded 13-15 December 2007 Produced by Fraser Fifield with Calum Malcolm. Music composed by Fraser Fifield.

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    Sofia Rakia

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    Nedyal's

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In Buenos Aires

Fraser Fifield

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In Buenos Aires

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The composer travelled light from Scotland to Buenos Aires with only low whistle and bagpipes to meet with bandoneon, guitar and double bass from three highly regarded exponents of New Tango, Walther E. Castro, Quique Sinesi and Mono Hurtado.

Recorded & Mixed at Casa Frida, Buenos Aires by Hernan Caratozzolo. Artwork by Victoria Fifield.

The composer travelled light from Scotland to Buenos Aires with only low whistle and bagpipes to meet with bandoneon, guitar and double bass from three highly regarded exponents of New Tango, Walther E. Castro, Quique Sinesi and Mono Hurtado.

Recorded & Mixed at Casa Frida, Buenos Aires by Hernan Caratozzolo. Artwork by Victoria Fifield.

Supported by Creative Scotland

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    01 As A Child

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    03 Córdoba Canntaireachd

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    04 Improvisation 1

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Slow Stream

Fraser Fifield Trio

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Slow Stream

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Featuring drummer Stu Ritchie, guitarist Graeme Stephen and the composer Fraser Fifield playing low whistle and soprano sax, this album was recorded over a two day session in 2005, near Edinburgh. The group performed in Scotland and further afield for several years. Alongside original compositions is the classic, Lament for the Children, by Donald

Featuring drummer Stu Ritchie, guitarist Graeme Stephen and the composer Fraser Fifield playing low whistle and soprano sax, this album was recorded over a two day session in 2005, near Edinburgh. The group performed in Scotland and further afield for several years. Alongside original compositions is the classic, Lament for the Children, by Donald Mor MacCrimmon, and music from Sweden, Ireland and Brittany.

"At once lyrical and radical, playful and soulful, talented and innovative - it’s music that places Fifield somewhere between Michael McGoldrick and Jan Garbarek" ( Sue Wilson,The Scotsman)

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    Slow Stream

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    Before and After

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    Lament For The Children

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Honest Water

Fraser Fifield

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Honest Water

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"Fraser Fifield's debut album confirms that he is one of the most exciting talents to emerge in Scottish folk in recent times" - The Scotsman

Fraser plays: bagpipes, whistles, saxophones, clarinet, percussion, keyboards, guitar with guests: Graeme Stephen, electric guitar on tracks 3, 8 & 11 and Malcolm Stitt, acoustic guitar on track 6.

"Fraser Fifield's debut album confirms that he is one of the most exciting talents to emerge in Scottish folk in recent times" - The Scotsman

Fraser plays: bagpipes, whistles, saxophones, clarinet, percussion, keyboards, guitar with guests: Graeme Stephen, electric guitar on tracks 3, 8 & 11 and Malcolm Stitt, acoustic guitar on track 6.

"Music with heart, emotion, and tunes that the 'repeat play' button was designed for" - The Herald "Fraser Fifield's debut album is simply beautiful" - The Irish World

"The quality of the playing, wide musical references, and intensity of focus make it much more Garbarek than Gaberlunzie" -Scotland on Sunday

"The album resoundingly endorses his fast- growing reputation as a brilliantly skilled and excitingly original talent. " Sunday Herald

1.Dark Reel 04:48 2.Softly Spoken 04:17 3.Misnomer's 04:01 4.Lament 05:03 5.Marjan's 03:54 6.Velvet Jig 04:42 7.S-J's Polka 01:55 8.Horo 03:29 9.Piece of Mind 04:26 10.Psalm 04:41 11.Honest Water 05:24 12.Alone At Last 02:11

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    Horo 3:29
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